Phonic AM 844D

Product Description:

The AM Series mixers are compact and versatile with anywhere between 5 and 24 mono Mic/Line and stereo inputs. Ultra low noise pre-amps ensure high quality sound when used in project studios or sound reinforcement. Low-cut filters on mono channels eliminate unwanted sounds like stage rumble, P-pops, wind noise and low frequency recording studio room resonances. The multi-band EQ on mono channels gives you total control over your mix. The AM series also makes monitoring the mix easy with its dual multi-segment LED level meters and high volume headphone outputs.

Product Overview:

Audiophile-Quality & ultra low noise

8 Mic/Line Mono channels

4 stereo channels (two with Mic input)

10 Mic preamps

Direct Outputs for Multitrack recording

3 band EQ with swept mid range plus low cut on each mono channel

18dB/oct, 75Hz Loc Cut Filter on each mic channels

4 AUX Sends, AUX 1 & 2 with Pre/Post selector

24-bit digital stereo multi-effect processor with 100 programs, tap-delay and test-tones

4 stereo AUX Returns

Solo selector on each input channel

CTRL RM Phones with multi input source matrix selector

8 Subgroups with Fader control and L-R assign buttons

Record Output

2T return with control level and TO MAIN L/R assign button

Built-in switching power supply with universal connector, 90-260VAC, 50/60Hz

12V XLR Connector for gooseneck lamp

Solo switch selector for AUX Returns

Product Specifications:

Inputs
Total Channels	12
Balanced Mono Mic / Line channel	8
Balanced Mic / Stereo Line channel	2
Balanced Stereo Line Channel	2
Aux Return	4 stereo
2T Input	Stereo RCA
Outputs
Main L/R Stereo	2 x 1/4” TRS, Bal. & 2 x XLR
Main out with inserts	Yes
Rec Out	Stereo RCA
CTRL RM L/R	2 x 1/4” TS
Phones	2
Direct Out	Mic/Line Ch1~ Ch8
Channel Strips	12
Aux Sends	4
Pan/Balance Control	Yes
Channel Insert	Ch 1 ~ Ch 8
Volume Controls	60mm fader
Master Section
Aux Send Masters	3
Master Aux Send Solo Stereo Aux Returns	3 4
Aux Return Assign to Subgroup	1
Effects Return to Monitor	2
Global AFL/PFL Solo Mode	Yes
Faders	4 subgroups, Main L & R
Metering
Number of Channels	2
Segments	12
Phantom Power Supply	+48V DC
Switches	Master
32/40-bit Digital Effect Processor	100 effects with tap delay control, Test tone and foot switch (effect on/off)
Frequency Response (Mic input to any output)
20Hz ~ 60KHz	+0/-1 dB
20Hz ~100KHz	+0/-3 dB
Crosstalk	1KHz @ OdBu, 20Hz to 20KHz bandwidth, channel in to main L/R outputs)
Channel fader down, other channels at unity	<-90 dB
Noise	20Hz~20KHz; measured at main output, Channels 1-4 unit gain; EQ flat; all channels on main mix; channels 1/3 as far left as possible, channels 2/4 as far right as possible Reference=+6dBu
Master @ unity, channel fader down	-86.5 dBu
Master @ unity, channel fader @ unity	-84 dBu
S/N ratio, ref to +4	>90 dB
Microphone Preamp E.I.N. (150 ohms terminated, max gain)	<-129.5 dBm
THD (Any output, 1KHz @ +14dBu, 20Hz to 20KHz, channel inputs)	<0.005%
CMRR (1 KHz @ -60dBu, Gain at maximum)	80dB
Maximum Level
Mic Preamp Input	+10dBu
All Other Input	+21dBu
Balanced Output	+28dBu
Impedance
Mic Preamp Input All Other Input (except insert)	2 K ohms 10 K ohms
RCA2T Output Ch Equalization	1.1 K ohms 3-band, +/-15dB (4-band on Stereo Ch)
Low EQ	80Hz
Mid EQ (mono channel) LMid EQ (stereo channel)	100-8k Hz, sweepable 800 Hz
HMid EQ (stereo channel)	3 kHz
Hi EQ	12 kHz
Low cut filter	75 Hz (-18 dB/oct)
Built-in Power Supply	100-240 VAC, 50/60 Hz
Net Weight	5.9 kg (13 lbs)
Dimensions (WxHxD)	418x140x438 mm (16.5”x5.5”x17.25”)