Product Description:The AM Series mixers are compact and versatile with anywhere between 5 and 24 mono Mic/Line and stereo inputs. Ultra low noise pre-amps ensure high quality sound when used in project studios or sound reinforcement. Low-cut filters on mono channels eliminate unwanted sounds like stage rumble, P-pops, wind noise and low frequency recording studio room resonances. The multi-band EQ on mono channels gives youA total control over your mix. The AM series also makes monitoring the mix easy with its dual multi-segment LED level meters and high volume headphone outputs. |
| Inputs | |
| Total Channels | 3 |
| Balanced Mono Mic / Line Channel | 1 |
| Balanced Stereo Line Channel | 2 |
| Aux Return | N/A |
| 2T Input | Stereo RCA |
| Outputs | |
| Main L/R Stereo | 2x 1/4" TS, Unbal. |
| Rec Out | Stereo RCA |
| CTRL RM UR | N/A |
| Phones | 1 |
| Channel Strips | 3 |
| Efx Send | N/A |
| Pan/Balance Control | Yes |
| Volume Controls | Rotary |
| Inserts | 1 |
| Master Section | |
| Phones Level Control | Yes |
| Main L/R Level Control | Rotary VR |
| Metering | |
| Number of Channels | 2 |
| Segments | 4 |
| Phantom Power Supply | +48V DC |
| Frequency Response (Mic input to any output) | |
| 20Hz - 60KHz | +0/-1 dB |
| 20Hz~100KHz | +0/-3 dB |
| Crosstalk (1 KHz @ OdBu, 20Hz to 20KHz bandwidth, channel in to main L/R outputs) Channel fader down, other channels at unity | <-90 dB |
| Noise (20Hz~20KHz; measured at main output, Channels 1-4 unit gain; EQ flat; all channels on main mix; channels 1/3 as far left as possible,channels 2/4 as far right as possible.Reference=+6dBu) Master @ unity, channel fader down Master @ unity, channel fader @ unity S/N ratio, ref to +4 | -86.5 dBu -84dBu >90dBu |
| Microphone Preamp E.I.N. (150 ohms terminated, max gain) | <-129.5dBm |
| THD (Any output, 1 KHz @ +14dBu, 20Hz to 20KHz, channel inputs) | <0.005% |
| CMRR (1 KHz @ -60dBu, Gain at maximum) | 80 dB |
| Maximum Level | |
| Mic Preamp Input | +10 dBu |
| All Other Input | +22 dBu |
| Balanced Output | +28 dBu |
| Impedance | |
| Mic Preamp Input | 2 K ohms |
| All Other Input (except insert) | 10 K ohms |
| RCA 2T Output | 1.1 K ohms |
| Equalization | 2-band, +/-15 dB |
| LowEQ | 80 Hz |
| MidEQ | N/A |
| HiEQ | 12 KHz |
| Low Cut Filter | 75Hz(-18dB/oct) |
| 32/40-bit Digital Effect Processor | N/A |
| Power Requirement (external power supply, depends on region) | 100 VAC, 120 VAC, 220 ~ 240 VAC, 50/60HZ |
| Weight | 1.1kg |
| Dimensions (WxHxD) | 155.6 x 50.5 x 244 mm (6.12" x 1.99" x 8.82") | Product Description:The AM Series mixers are compact and versatile with anywhere between 5 and 24 mono Mic/Line and stereo inputs. Ultra low noise pre-amps ensure high quality sound when used in project studios or sound reinforcement. Low-cut filters on mono channels eliminate unwanted sounds like stage rumble, P-pops, wind noise and low frequency recording studio room resonances. The multi-band EQ on mono channels gives you total control over your mix. The AM series also makes monitoring the mix easy with its dual multi-segment LED level meters and high volume headphone outputs. |
| Inputs | |
| Total Channels | 4 |
| Balanced Mono Mic / Line Channel | 2 |
| Balanced Stereo Line Channel | 4 |
| Aux Return | 1 stereo |
| 2T Input | Stereo RCA |
| Outputs | |
| Main L/R Stereo | 2x 1/4" TS, Unbal. |
| Rec Out | Stereo RCA |
| CTRL RM UR | 2x1/4"TS |
| Phones | 1 |
| Channel Strips | 4 |
| Efx Send | 1 |
| Pan/Balance Control | Yes |
| Volume Controls | Rotary |
| Inserts | N/A |
| Master Section | |
| Phones Level Control | Yes |
| Main L/R Level Control | 60 mm fader |
| Metering | |
| Number of Channels | 2 |
| Segments | 4 |
| Phantom Power Supply | +48V DC |
| Frequency Response (Mic input to any output) | |
| 20Hz - 60KHz | +0/-1 dB |
| 20Hz~100KHz | +0/-3 dB |
| Crosstalk (1 KHz @ OdBu, 20Hz to 20KHz bandwidth, channel in to main L/R outputs)Channel fader down, other channels at unity | <-90 dB |
| Noise (20Hz~20KHz; measured at main output, Channels 1-4 unit gain; EQ flat; all channels on main mix; channels 1/3 as far left as possible,channels 2/4 as far right as possible.Reference=+6dBu) Master @ unity, channel fader down Master @ unity, channel fader @ unity S/N ratio, ref to +4 | -86.5 dBu -84 dBu >90 dB |
| Microphone Preamp E.I.N. (150 ohms terminated, max gain) | <-129.5 dBm |
| THD (Any output, 1 KHz @ +14dBu, 20Hz to 20KHz, channel inputs) | <0.005% |
| CMRR (1 KHz @ -60dBu, Gain at maximum) | 80 dB |
| Maximum Level | |
| Mic Preamp Input | +10 dBu |
| All Other Input | +22 dBu |
| Balanced Output | +28 dBu |
| Impedance | |
| Mic Preamp Input | 2 K ohms |
| All Other Input (except insert) | 10 Kohms |
| RCA 2T Output | 1.1 Kohms |
| Equalization | 3-band, +/-15 dB |
| LowEQ | 80 Hz |
| MidEQ | 2.5 KHz |
| HiEQ | 12 KHz |
| Low Cut Filter | N/A |
| 32/40-bit Digital Effect Processor | N/A |
| Power Requirement (external power supply, depends on region) | 100VAC, 120VAC, 220 ~ 240VAC, 50/60HZ |
| Weight Dimensions (WxHxD) | 1.5 kg (3.3 lbs) 190 x 56 x 233 mm (7.48" x 2.2" x 9.17") |
Product Description:The AM Series mixers are compact and versatile with anywhere between 5 and 24 mono Mic/Line and stereo inputs. Ultra low noise pre-amps ensure high quality sound when used in project studios or sound reinforcement. Low-cut filters on mono channels eliminate unwanted sounds like stage rumble, P-pops, wind noise and low frequency recording studio room resonances. The multi-band EQ on mono channels gives you total control over your mix. The AM series also makes monitoring the mix easy with its dual multi-segment LED level meters and high volume headphone outputs. |
| Inputs | |
| Total Channels | 6 |
| Balanced Mono Mic / Line Channel | 2 |
| Balanced Stereo Line Channel | 4 |
| Aux Return | N/A |
| 2T Input | Stereo RCA |
| Outputs | |
| Main L/R Stereo | 2x 1/4" TRS, Bal. |
| Rec Out | Stereo RCA |
| CTRL RM L/R | 2x 1/4" TS |
| Phones | 1 |
| Channel Strips | 6 |
| Efx Send | 1 |
| Pan/Balance Control | Yes |
| Volume Controls | Rotary |
| Inserts | N/A |
| Master Section | |
| Phones Level Control | Yes |
| Main L/R Level Control | 60 mm fader |
| Metering | |
| Number of Channels | 2 |
| Segments | 4 |
| Phantom Power Supply | +48V DC |
| Frequency Response (Mic input to any output) | |
| 20Hz~ 60KHz | +0/-1 dB |
| 20Hz~ 100KHz | +0/-3 dB |
| Crosstalk (1 KHz @ OdBu, 20Hz to 20KHz bandwidth, channel in to main L/R outputs) | |
| Channel fader down, other channels at unity | <-90 dB |
| Noise (20Hz~20KHz; measured at main output, Channels 1-4 unit gain; EQ flat; all channels on main mix; channels 1/3 as far left as possible, channels 2/4 as far right as possible. Reference=+6dBu) | |
| Master @ unity, channel fader down | -86.5 dBu |
| Master @ unity, channel fader @ unity | -84 dBu |
| S/N ratio, ref to +4 | >90 dB |
| Microphone Preamp E.I.N. (150 ohms terminated, max gain) | <-129.5 dBm |
| THD (Any output, 1KHz @ +14dBu, 20Hz to 20KHz, channel inputs) | <0.005% |
| CMRR (1 KHz @ -60dBu, Gain at maximum) | 80 dB |
| Maximum Level | |
| Mic Preamp Input | +10 dBu |
| All Other Input | +22 dBu |
| Balanced Output | +28 dBu |
| Impedance | |
| Mic Preamp Input | 2 K ohms |
| All Other Input (except insert) | 10 K ohms |
| RCA 2T Output | 1.1 K ohms |
| Equalization | 3-band, +/-15 dB |
| Low EQ | 80 Hz |
| Mid EQ | 2.5 KHz |
| Hi EQ | 12 KHz |
| Low Cut Filter | 75Hz (-18 dB/oct) |
| 32/40 bit Digital Effect Processor | 100 effects with tap delay control |
| Power Requirement (external power supply, depends on region) | 100VAC, 120VAC, 220 ~ 240VAC, 50/60Hz |
| Weight | 1.5 kg (3.3 lbs) |
| Dimensions (WxHxD) | 190 x 56 x 233 mm (7.48” x 2.2” x 9.17”) | Product Description:The AM Series mixers are compact and versatile with anywhere between 5 and 24 mono Mic/Line and stereo inputs. Ultra low noise pre-amps ensure high quality sound when used in project studios or sound reinforcement. Low-cut filters on mono channels eliminate unwanted sounds like stage rumble, P-pops, wind noise and low frequency recording studio room resonances. The multi-band EQ on mono channels gives you total control over your mix. The AM series also makes monitoring the mix easy with its dual multi-segment LED level meters and high volume headphone outputs. |
| Inputs | |
| Total Channels | 8 |
| Balanced Mono Mic / Line Channel | 4 |
| Balanced Stereo Line Channel | 4 |
| 2T Input | Stereo RCA |
| Outputs | |
| Main L/R Stereo | 2 x 1/4" TRS, Bal. |
| Rec Out | Stereo RCA |
| CTRL RM L/R | 2x 1/4" TS |
| Phones | 1 |
| Channel Strips | 6 |
| Efx Send | 1 |
| Pan/Balance Control | Yes |
| Volume Controls | Rotary |
| Master Section | |
| Phones Level Control | Yes |
| Main L/R Level Control | Main L/R, 60mm fader |
| Level Meter | 2 x 4-segment |
| Phantom Power Supply | +48VDC |
| Frequency Response (Mic input to any output) | |
| 20Hz ~ 60KHz | +0/-1 dB |
| 20Hz~ 100KHz | +0/-3 dB |
| Crosstalk (1 KHz @ OdBu, 20Hz to 20KHz bandwidth, channel in to main L/R outputs) | |
| Channel fader down, other channels at unity | <-90 dB |
| Noise (20Hz~20KHz; measured at main output, Channels 1-4 unit gain; EQ flat; all channels on main mix; channels 1/3 as far left as possible, channels 2/4 as far right as possible. Reference=+6dBu) | |
| Master @ unity, channel fader down | -86.5 dBu |
| Master @ unity, channel fader @ unity | -84 dBu |
| S/N ratio, ref to +4 | >90 dB |
| Microphone Preamp E.I.N. (150 ohms terminated, max gain) | <-129.5 dBm |
| THD (Any output, 1KHz @ +14dBu, 20Hz to 20KHz, channel inputs) | <0.005% |
| CMRR (1 KHz @ -60dBu, Gain at maximum) | 80 dB |
| Maximum Level | |
| Mic Preamp Input | +10 dBu |
| All Other Input | +22 dBu |
| Balanced Output | +28 dBu |
| Impedance | |
| Mic Preamp Input | 2 K ohms |
| All Other Input (except insert) | 10 K ohms |
| RCA 2T Output | 1.1 K ohms |
| Equalization | 3-band, +/-15 dB |
| Low EQ | 80 Hz |
| Mid EQ | 2.5 KHz |
| Hi EQ | 12 KHz |
| Low Cut Filter | 75Hz (-18dB/oct) |
| Effect Processor | 100 effects with tap delay control |
| Power Requirement (external power supply, depends on region) | 100VAC, 120VAC, 220~240VAC, 50/60Hz |
| Weight | 1.72 kg (3.78 lbs) |
| Dimensions (WxHxD) | 242 x 55 x 225mm (9.5” x 2.16” x 8.86”) |
Product Description:The AM Series mixers are compact and versatile with anywhere between 5 and 24 mono Mic/Line and stereo inputs. Ultra low noise pre-amps ensure high quality sound when used in project studios or sound reinforcement. Low-cut filters on mono channels eliminate unwanted sounds like stage rumble, P-pops, wind noise and low frequency recording studio room resonances. The multi-band EQ on mono channels gives you total control over your mix. The AM series also makes monitoring the mix easy with its dual multi-segment LED level meters and high volume headphone outputs. |
| Inputs | |
| Total Channels | 10 |
| Balanced Mono Mic / Line channel | 6 |
| Balanced Stereo Line Channel | 4 |
| Aux Return | 2 stereo |
| 2T Input | Stereo RCA |
| Outputs | |
| Main L/R Stereo | 2 x 1/4” TRS, Bal. & 2 x XLR |
| Rec Out | Stereo RCA |
| CTRL RM L/R | 2 x 1/4” TS |
| Phones | 1 |
| Channel Strips | 10 |
| Aux Sends | 3 |
| Pan/Balance Control | Yes |
| Channel insert | CH 1~ CH 6 |
| Volume Controls | 60mm fader |
| Master Section | |
| Aux Send Masters | 3 |
| Master Aux Send Solo | 3 |
| Stereo Aux Returns | 2 |
| Aux Return Assign to Subgroup | 1 |
| Effects Return to Monitor | 2 |
| Global AFL/PFL Solo Mode | Ye s |
| Phones Level Control | Yes |
| Faders | Aux return 2, Aux 1, 2 subgroups, Main L & R |
| Metering | |
| Number of Channels | 2 |
| Segments | 12 |
| Phantom Power Supply | +48V DC |
| Switches | Master |
| 32/40-bit Digital Effect Processor | 100 effects with tap delay control, Test tone and foot switch (effect on/off) |
| Built-in Graphic EQ | Stereo 9-band |
| Center Frequency | 60, 160, 315, 630, 1.25K, 2.5K, 5K, 10K, 16K Hz |
| Range | ±12 dB |
| Frequency Response (Mic input to any output) | |
| 20Hz ~ 60KHz | +0/-1 dB |
| 20Hz ~ 100KHz | +0/-3 dB |
| Crosstalk | 1KHz @ 0dBu, 20Hz to 20KHz bandwidth, channel in to main L/R outputs |
| Channel fader down, other channels at unity | <-90 dB |
| Noise | |
| Master @ unity, channel fader down | -86.5 dBu |
| Master @ unity, channel fader @ unity | -84 dBu |
| S/N ratio, ref to +4 | >90 dB |
| Microphone Preamp E.I.N. (150 ohms terminated, max gain) | <-129.5 dBm |
| THD (Any output, 1KHz @ +14dBu, 20Hz to 20KHz, channel inputs) | <0.005% |
| CMRR (1 KHz @ -60dBu, Gain at maximum) | 80dB |
| Maximum Level | |
| Mic Preamp Input | +10dBu |
| All Other Input | +21dBu |
| Balanced Output | +28dBu |
| Impedance | |
| Mic Preamp Input | 2 K ohms |
| All Other Input (except insert) | 10 K ohms |
| RCA 2T Output | 1.1 K ohms |
| Ch Equalization | 3-band, +/-15dB (4-band on Stereo Ch) |
| Low EQ | 80Hz |
| Mid EQ (mono channel) | 100-8k Hz, sweepable |
| LMid EQ (stereo channel) | 800 Hz |
| HMid EQ (stereo channel) | 3 kHz |
| Hi EQ | 12 kHz |
| Low cut filter | 75 Hz (-18 dB/oct) |
| Built-in Power Supply | 100-240 VAC, 50/60 Hz |
| Weight | 10.6 lbs (4.8 kg) |
| Dimensions (WxHxD) | 16" x 3.5" x 14" (407 x 89 x 357 mm) | Product Description:The AM Series mixers are compact and versatile with anywhere between 5 and 24 mono Mic/Line and stereo inputs. Ultra low noise pre-amps ensure high quality sound when used in project studios or sound reinforcement. Low-cut filters on mono channels eliminate unwanted sounds like stage rumble, P-pops, wind noise and low frequency recording studio room resonances. The multi-band EQ on mono channels gives you total control over your mix. The AM series also makes monitoring the mix easy with its dual multi-segment LED level meters and high volume headphone outputs. |
| Inputs | ||
| Total Channels | 12 | |
| Balanced Mono Mic / Line channel | 8 | |
| Balanced Mic / Stereo Line channel | 2 | |
| Balanced Stereo Line Channel | 2 | |
| Aux Return | 4 stereo | |
| 2T Input | Stereo RCA | |
| Outputs | ||
| Main L/R Stereo | 2 x 1/4” TRS, Bal. & 2 x XLR | |
| Main out with inserts | Yes | |
| Rec Out | Stereo RCA | |
| CTRL RM L/R | 2 x 1/4” TS | |
| Phones | 2 | |
| Direct Out | Mic/Line Ch1~ Ch8 | |
| Channel Strips | 12 | |
| Aux Sends | 4 | |
| Pan/Balance Control | Yes | |
| Channel Insert | Ch 1 ~ Ch 8 | |
| Volume Controls | 60mm fader | |
| Master Section | ||
| Aux Send Masters | 3 | |
| Master Aux Send Solo Stereo Aux Returns | 3 4 | |
| Aux Return Assign to Subgroup | 1 | |
| Effects Return to Monitor | 2 | |
| Global AFL/PFL Solo Mode | Yes | |
| Faders | 4 subgroups, Main L & R | |
| Metering | ||
| Number of Channels | 2 | |
| Segments | 12 | |
| Phantom Power Supply | +48V DC | |
| Switches | Master | |
| 32/40-bit Digital Effect Processor | 100 effects with tap delay control, Test tone and foot switch (effect on/off) | |
| Frequency Response (Mic input to any output) | ||
| 20Hz ~ 60KHz | +0/-1 dB | |
| 20Hz ~100KHz | +0/-3 dB | |
| Crosstalk | 1KHz @ OdBu, 20Hz to 20KHz bandwidth, channel in to main L/R outputs) | |
| Channel fader down, other channels at unity | <-90 dB | |
| Noise | | |
| Master @ unity, channel fader down | -86.5 dBu | |
| Master @ unity, channel fader @ unity | -84 dBu | |
| S/N ratio, ref to +4 | >90 dB | |
| Microphone Preamp E.I.N. (150 ohms terminated, max gain) | <-129.5 dBm | |
| THD (Any output, 1KHz @ +14dBu, 20Hz to 20KHz, channel inputs) | <0.005% | |
| CMRR (1 KHz @ -60dBu, Gain at maximum) | 80dB | |
| Maximum Level | ||
| Mic Preamp Input | +10dBu | |
| All Other Input | +21dBu | |
| Balanced Output | +28dBu | |
| Impedance | ||
| Mic Preamp Input All Other Input (except insert) | 2 K ohms 10 K ohms | |
| RCA2T Output Ch Equalization | 1.1 K ohms 3-band, +/-15dB (4-band on Stereo Ch) | |
| Low EQ | 80Hz | |
| Mid EQ (mono channel) LMid EQ (stereo channel) | 100-8k Hz, sweepable 800 Hz | |
| HMid EQ (stereo channel) | 3 kHz | |
| Hi EQ | 12 kHz | |
| Low cut filter | 75 Hz (-18 dB/oct) | |
| Built-in Power Supply | 100-240 VAC, 50/60 Hz | |
| Net Weight | 5.9 kg (13 lbs) | |
| Dimensions (WxHxD) | 418x140x438 mm (16.5”x5.5”x17.25”) | |
Product Description:The Sonic Station 16 is bursting with inputs! Every channel has a mic preamp and balanced line input with tons of options. The 3-band EQ with swept mid, insert points for connection to external processors, 6 AUX send mixing bus (2 AUX sends with pre/post buttons), and 8 direct outputs for multi-track recording allow users incredible flexibility with mix control and signal routing. Each channel has an AUX 5/6 shift button, expanding the number of outputs available. But that´s not all. The mixer features a dual-position input/output (I/O) pod that lets you use it as a desktop mixer or convert for rack mounting. The I/O pod rotates out of the way to save space in your rack. The built-in 32/40 bit digital effect processor has 16 awesome programs, main parameter control, foot switch control and tap delay. And if you get any "sub" Sonic noise in your mics just hit the low cut filter to get rid of the P-pops, stage rumble and wind noise. Top it off with a subwoofer output, four true subgroups and global phantom power, and you´ve got a perfect medium-sized rack-mountable mixer for live events or studio mixing. |
| Inputs | |
| Balanced Mic / Line channel | 16 |
| Aux Return | 4 stereo |
| 2T Input | Mini stereo and stereo RCA |
| Outputs | |
| Main L/R Stereo | 2x1/4"TRS, Bal. &2xXLR |
| Main out with inserts | Yes |
| Main Mono | 1x1/4"TRS, Bal. &1xXLR |
| Main Mono out with inserts | Yes |
| Rec Out with Trim Control | Mini stereo and stereo RCA |
| CTRL RM L/R | 2x1/4"TS |
| Phones | 1 |
| Channel Strips | 16 |
| Aux Sends | 6 with 4 volume control |
| Pan/Balance Control | Yes |
| Volume Controls | 60mm fader |
| Master Section | |
| Aux Send Masters | 4 |
| Master Aux Send Solo | 4 |
| Stereo Aux Returns | 4 |
| Aux Return Assign to Subgroup | 1 |
| Effects Return to Monitor | 3 |
| Global PRE/POST Solo Mode | Yes |
| Individual CTRL RM/Phones & Solo Level Control | Yes |
| Faders | 4 subgroups, Main L/R |
| Metering | |
| Number of Channels | 2 |
| Segments | 12 |
| Phantom Power Supply | +48V DC |
| Switches | Master |
| Effect Processor | 16 effects with one main parameter control, tap delay control, foot switch (effect on/off, tap) |
| Frequency Response (Mic input to any output) | |
| 20Hz - 60KHz | +0/-1 dB |
| 20Hz~100KHz | +0/-3 dB |
| Crosstalk (1KHz @ OdBu, 20Hz to 20KHz bandwidth, channel in to main L/R outputs) | |
| Channel fader down, other channels at unity | <-90 dB |
| Noise | |
| Master @ unity, channel fader down | -86.5 dBu |
| Master @ unity, channel fader @ unity | -84 dBu |
| S/N ratio, ref to +4 | >90dB |
| Microphone Preamp E.I.N. (150 ohms terminated, max gain) | <-129.5dBm |
| THD (Any output, 1KHz @ +14dBu, 20Hz to 20KHz, channel inputs) | <0.005% |
| CMRR (1 KHz @ -60dBu, Gain at maximum) | 80dB |
| Maximum Level | |
| Mic Preamp Input | +10dBu |
| All Other Input | +22dBu |
| Balanced Output | +28dBu |
| Impedance | |
| Mic Preamp Input | 2 K ohms |
| All Other Input (except insert) | 10 K ohms |
| RCA 2T Output | 1.1 K ohms |
| Equalization | 3-band,+/-15dB |
| LowEQ | 80Hz |
| MidEQ | 100-8kHz, sweepable |
| HiEQ | 12 kHz |
| Low cut filter | 75Hz(-18dB/oct) |
| Built-in Power Supply | 100-240 VAC, 50/60 Hz |
| Net Weight | 9.5 kg (20.9 lbs) |
| Dimensions (WxHxD) | 445.4x211.7x431.8 mm (17.5"x8.3"x17") | Product Description:The Sonic Station 22 is bursting with inputs! Every channel has a Mic preamp with phantom power, balanced line inputs, a 3-band EQ with swept-mid (not on stereo channels), and six AUX sends (two with pre/post buttons). Mono channels have insert points for connection to external processors and direct outputs with pre-fader switches for multi-track recording. But that´s not all. The dual built-in 32/40-bit digital effect processors have 16 awesome programs and one main parameter control, and effects 2 includes a foot switch control and tap delay. A built-in talkbalk Mic makes communicating with the talent easy, and a 12V lamp socket provides all the light you need when working in dark environments. And if you get any sub "Sonic" noise in your Mics just hit the low cut filter to get rid of breath pops, stage rumble and wind noise. Also featured are some handy "swap" buttons, allowing main and control room signals, as well as Group and AUX signals, to be swapped, making this an ideal monitoring console. Top it off with a variable low pass filter for use with subwoofers, four true subgroups and Record Out with trim control, and you´ve got a perfect mixer for live events or studio mixing. |
| Inputs | |
| Balanced Mic / Mono Line Channel | 18 |
| Balanced Mic/ Stereo Line Channel | 2 |
| Mic Preamps | 20 |
| Aux Return | 4 stereo |
| 2T Input | Stereo RCA |
| Outputs | |
| Main L/R Stereo | 2 x XLR |
| Main out with inserts | Yes |
| Main Mono | 1 x XLR |
| Main Mono out with inserts | Yes |
| Direct out | 18, including pre-ch EQ switch |
| Rec Out with Trim Control | Stereo RCA |
| CTRL RM L/R | 2 x 1/4” TS |
| Phones | 1 |
| Channel Strips | 20 |
| Pad (line in) switches | 20 |
| Aux Sends | 6 |
| Pan/Balance Control | Yes |
| Channel routing switches | Group 1/2, 3/4, Main Mono, Main L/R |
| Indicators | On, Signal, Peak/Solo |
| Volume Controls | 60mm fader |
| Master Section | |
| Aux Send Masters | 6 |
| Master Aux Send Solo | 6 |
| Stereo Aux Returns | 4, each with aux 1-4 volume control |
| Aux Return Assign to Subgroup | 4 |
| Effects Return to Monitor | 4 |
| Global PRE/POST Solo Mode | Yes |
| Group 1-4/Aux 1-4 Swap buttons | Yes |
| Main fader / CTRL RM volume control swap buttons | Yes |
| Talkback Mic | Built-in, can be routed to Aux 1/2, 3/4, Main L/R & CTRL RM, or use external mic(with +48V phantom power) |
| Faders | 4 subgroups, Main mono, Main L/R |
| Metering | |
| Number of Channels | 7 |
| Segments | 12 |
| Phantom Power Supply | +48V DC |
| Switches | 4 |
| Effect Processor 1 (32/40-bit DSP engine) | 16 effects with one main parameter control | Effect Processor 2 (32/40-bit DSP engine) | 16 effects with one main param-eter control, tap delay control, foot switch (effect on/off, tap) |
| Frequency Response (Mic input to any output) | |
| 20Hz ~ 60KHz | +0/-1 dB |
| 20Hz ~ 100KHz | +0/-3 dB |
| Crosstalk | 1KHz @ 0dBu, 20Hz to 20KHz bandwidth, channel in to main L/R outputs |
| Channel fader down, other channels at unity | <-90 dB |
| Noise | 20Hz~20KHz; measured at main output, Channels 1-4 unit gain; EQ flat; all channels on main mix; channels 1/3 as far left as possible, channels 2/4 as far right as possible. Reference=+6dBu |
| Master @ unity, channel fader down | -86.5 dBu |
| Master @ unity, channel fader @ unity | -84 dBu |
| S/N ratio, ref to +4 | >90 dB |
| Microphone Preamp E.I.N. (150 ohms terminated, max gain) | <-129.5 dBm |
| THD (Any output, 1KHz @ +14dBu, 20Hz to 20KHz, channel inputs) | <0.005% |
| CMRR (1 KHz @ -60dBu, Gain at maximum) | 80dB |
| Maximum Level | |
| Mic Preamp Input | +10dBu |
| All Other Input | +22dBu |
| Unbalanced Output | +22dBu |
| Balanced Output | +28dBu |
| Impedance | |
| Mic Preamp Input | 2 K ohms |
| All Other Input (except insert) | 10 K ohms |
| RCA 2T Output | 1.1 K ohms |
| Outputs | 200 ohms |
| Equalization | 3-band, +/-15dB |
| Low EQ | 80Hz |
| Mid EQ (mono channels) | 100-8k Hz, sweepable |
| Mid EQ (stereo channels) | 2.5k Hz |
| Hi EQ | 12 kHz |
| Low cut filter | 75 Hz (-18 dB/oct) |
| Power consumption | 65 watts |
| Power Requirement (depends on region) | 100~120V AC, 220~240V AC, 50/60Hz |
| Net Weight (without adapter) | 15.5 kg (34.14 lbs) |
| Dimensions (WxHxD) | 859x102.79x547.42 mm (33.8”x4.05”x21.6”) |
Product Description:The Sonic Station 32 is bursting with inputs! Every channel has a Mic preamp with phantom power, balanced line inputs, a 3-band EQ with swept-mid (4-band EQ on stereo channels), and six AUX sends (two with pre/post buttons). Mono channels have insert points for connection to external processors and direct outputs with pre-fader switches for multi-track recording. But that´s not all. The built-in 32/40-bit digital effect processor has 16 awesome programs, main parameter control, foot switch control and tap delay. A built-in talkbalk Mic makes communicating with the talent easy, and a 12V lamp socket provides all the light you need when working in dark environments. And if you get any sub "Sonic" noise in your Mics just hit the low cut filter to get rid of breath pops, stage rumble and wind noise. Top it off with a variable low pass filter for use with subwoofers, four true subgroups and Record Out with trim control, and you´ve got a perfect mixer for live events or studio mixing. |
| Inputs | |
| Balanced Mic / Mono Line Channel | 28 |
| Balanced Mic/ Stereo Line Channel | 2 |
| Mic Preamps | 30 |
| Aux Return | 4 stereo |
| 2T Input | Stereo RCA |
| Outputs | |
| Main L/R Stereo | 2 x XLR |
| Main out with inserts | Yes |
| Main Mono | 1 x XLR |
| Main Mono out with inserts | Yes |
| Direct out | 28, including pre-ch EQ switch |
| Rec Out with Trim Control | Stereo RCA |
| CTRL RM L/R | 2 x 1/4” TS |
| Phones | 1 |
| Channel Strips | 30 |
| Pad (line in) switches | 30 |
| Aux Sends | 6 |
| Pan/Balance Control | Yes |
| Channel routing switches | Group 1/2, 3/4, Main Mono, Main L/R |
| Indicators | On, Signal, Peak/Solo |
| Volume Controls | 60mm fader |
| Master Section | |
| Aux Send Masters | 6 |
| Master Aux Send Solo | 6 |
| Stereo Aux Returns | 4, each with aux 1-4 volume control |
| Aux Return Assign to Subgroup | 4 |
| Effects Return to Monitor | 4 |
| Global PRE/POST Solo Mode | Yes |
| Group 1-4/Aux 1-4 Swap buttons | Yes |
| Main fader / CTRL RM volume control swap buttons | Yes |
| Talkback Mic | Built-in, can be routed to Aux 1/2, 3/4, Main L/R & CTRL RM, or use external mic(with +48V phantom power) |
| Faders | 4 subgroups, Main mono, Main L/R |
| Metering | |
| Number of Channels | 7 |
| Segments | 12 |
| Phantom Power Supply | +48V DC |
| Switches | 6 |
| Effect Processor 1 (32/40-bit DSP engine) | 16 effects with one main parameter control |
| Effect Processor 2 (32/40-bit DSP engine) | 16 effects with one main param-eter control, tap delay control, foot switch (effect on/off, tap) |
| Frequency Response (Mic input to any output) | |
| 20Hz ~ 60KHz | +0/-1 dB |
| 20Hz ~ 100KHz | +0/-3 dB |
| Crosstalk | 1KHz @ 0dBu, 20Hz to 20KHz bandwidth, channel in to main L/R outputs |
| Channel fader down, other channels at unity | <-90 dB |
| Noise | 20Hz~20KHz; measured at main output,Channels 1-4 unit gain; EQ flat; all channels on main mix; channels 1/3 as far left as possible, channels 2/4 as far right as possible. Reference=+6dBu |
| Master @ unity, channel fader down | -86.5 dBu |
| Master @ unity, channel fader @ unity | -84 dBu |
| S/N ratio, ref to +4 | >90 dB |
| Microphone Preamp E.I.N. (150 ohms terminated, max gain) | <-129.5 dBm |
| THD (Any output, 1KHz @ +14dBu, 20Hz to 20KHz, channel inputs) | <0.005% |
| CMRR (1 KHz @ -60dBu, Gain at maximum) | 80dB |
| Maximum Level | |
| Mic Preamp Input | +10dBu |
| All Other Input | +22dBu |
| Unbalanced Output | +22dBu |
| Balanced Output | +28dBu |
| Impedance | |
| Mic Preamp Input | 2 K ohms |
| All Other Input (except insert) | 10 K ohms |
| RCA 2T Output | 1.1 K ohms |
| Outputs | 200 ohms |
| Equalization | 3-band, +/-15dB |
| Low EQ | 80Hz |
| Mid EQ (mono channels) | 100-8k Hz, sweepable |
| Mid EQ (stereo channels) | 2.5k Hz |
| Hi EQ | 12 kHz |
| Low cut filter | 75 Hz (-18 dB/oct) |
| Power consumption | 70 watts |
| Power Requirement (depends on region) | 100~120V AC, 220~240V AC, 50/60Hz |
| Net Weight (without adapter) | 18 kg (39.65 lbs) |
| Dimensions (WxHxD) | 1155.5x102.79x547.42 mm (45.5”x4.05”x21.6”) | Product Description:The Phonic PM 801 is an 8-channel Mic/Line mixer with individual phantom power, tone control, clip indicator and mute control on each channel. The ultra low noise pre-amps offer an incredible 62 dB of gain for Mic inputs. A pre-fader output and AUX input give you maximum flexibility to use this mixer with signal processors or other equipment. The built-in power supply means that you don´t have to worry about finding an electrical socket for a wall wort. The PM 801 is ideal for users that need a rack-mountable 8-Channel mixer that can be used in conjunction with signal processors, amplifiers and other devices. |
| INPUT | |
| Microphone | |
| Input Impedance | 2 Ω |
| Gain | +15 ~ +55 dB |
| Frequency Response | 40 Hz - 20 kHz, ±0.5 dB |
| EIN | -128 dBu |
| CMRR | 100 dB @ max. gain |
| Phantom Power | +15V |
| Input Connectors | Balanced XLR |
| Stereo BGM Input | |
| Input Impedance | 40 kΩ |
| Gain | -10 ~ +20 dB |
| Frequency Response | 40 Hz - 20 kHz, ±0.5 dB |
| Input Connectors | Unbalanced stereo RCA |
| Emergency Audio | |
| Input Impedance | 14 kΩ |
| Gain | -10 ~ +10 dB |
| Frequency Response | 50 Hz - 20 kHz, ±0.5 dB |
| Input Connectors | Balanced TRS 1/4" phone jack |
| Panic Override | +24 VDC |
| Input Connectors | 24 VDC terminal |
| OUTPUT | |
| Stereo Zone Output | |
| Impedance | 120 Ω |
| Gain | -10 ~ +20 dB |
| Frequency Response | 40 Hz - 20 kHz, ±0.5 dB |
| Paging Override Depth | -10 dB ~ Cut |
| Output Connectors | Balanced TRS 1/4" phone jack |
| Utility Output | |
| Impedance | 120 Ω |
| Frequency Response | 40 Hz - 20 kHz, ±0.5 dB |
| Gain | -10 - +20 dB |
| Output Connectors | Balanced TRS 1/4" phone jack |
| SYSTEM | |
| THD | 0.05% |
| Crosstalk | -75 dB @ 1 kHz between any 2 outputs |
| Mains Power | 100-120, 200-240 VAC, 50/60 Hz |
| Size (WxHxD) | 482 x 44.5 x 168 mm (19" x 1.75" x 6.6") |
| Weight | 2.5 kg (5.5 lbs.) |